Our Praise & Worship Dilemma
As we prepared our worship song chord detail for keyboard and guitar some years ago, I was confronted with a recurring problem. Before each rehearsal we had to begin with a decision for each song: Do we go with chords appropriate for guitar or with the more complete chords for the keyboard? If the leader was to be a guitarist, well, you probably know which way we went. If the praise and worship leader that week would be leading from keyboard, that leader would insist (gently, of course) on playing the song as written—five chords to a measure, if so indicated.
So, invariably, that week’s guitarist would stare in frustration at the praise & worship chord detail, deciding all he was capable of were some lead licks, maybe an opening chord or two at a line’s beginning, or even a pedal tone lining up with the bass. And of course everyone was very nice about it… but not completely happy. Basically the rule became: He who leads decides.
After a few months of this, during praise & worship, one guitarist, who didn’t have a great many lead ideas, and who was also pretty frustrated with playing pseudo-bass lines and pedal tones with complex chords in the praise music, moved out onto the harmonic scene and played his guitar chording while the keyboardist played his chord-for-every-note part. So…
The only thing anyone really noticed was more rhythm sounding from the rhythm section. No one seemed to notice that for a second here or there the guitar might be playing a “G” while the keyboard was sounding a “D.”

